I just want to give a little mention to this.. which made me smile today.. :)

Re-blogged in its entirety with captions/credits.

meluxine:

Bunny #1: Fuck, man, here we are again. Another year…

Bunny #2: Yep….yep. I’m getting too old for this shit. And I don’t even like kids.

Bunny#1: Me either. And chocolate makes me fat. All I want is a fucking carrot. And maybe some scotch….

Bunny #2: We’re in the wrong job man. 

Bunny #1: Totally. The only reason I’m doing this is because my friggin’ ex(es) won’t pay child support. Having the sex drive of a rabbit really isn’t all it’s cracked up to be. Next thing you know you’re stuck in a one bedroom burrow with, like, 7 kids and no bloke to dig out a few extra rooms.

Bunny #2: That’s nothing. My family have disowned me because of my Easter gig. They think it’s degrading to the Leporidae family because we’re forced to hug a species who treat us like vermin. 

Bunny #1: Where’s the bloody RSPCA when you need them?

Bunny #2: Jesus, I MEAN, gosh, it’s not THAT bad…..is it?

Bunny #1: Well it is pretty fucked up. Wanna skip work and get really fucked up?

Bunny #2: Oh…eerrrm….yea…yeeeaah alright.

Photographer: Peter Coulson

Models: Anne Duffy & Meluxine

48 notes

Great Britain. 1984. “Civil War”.

It is a gloriously sunny afternoon in the late summer or autumn of 1984.

A year and a bit into Margaret Thatcher’s second elected term of office as our Prime Minister. 

Tory Leadership.

6 months or so into the ‘84/’85 Miner’s strike.

It is Great Britain. 1984. “Civil War”.

I am travelling south, towards London, from the North East of England, through South Yorkshire and Nottinghamshire.

A1, A1M, M18, M1.

Highways.

Arteries. 

Past the Edifices of Energy. 

Ferry Bridge, Eggborough, Drax.

Selby, Prince of Wales, Killingley, Maltby, Silverwood, Orgreave.

Cortonwood.

Through the battlefields. 

There are Police on motorway bridges. 

Obvious.

Watching. 

Waiting.

Checking.

Observing.

Monitoring.

Directing.

On the M1 Motorway, south of Sheffield, there’s a changing of the guard in progress. Just south of Woodall services I start to see it. Hundreds of police vans are travelling north, up from their homes in the South.

Line after line after line after line after line.

Like a 150 mile long snake of ants.

Reinforcements. Plenty of them. Re-suppply for the boys in blue, the men on the side of the State and “industry”, ranked against the striking mine workers. They are men, those boys in blue, who are better equipped, better trained, better organised and better fed than the the blokes they face. 

For the striking mine workers, there is no such support. Financial aid is all but drying up as the economic lines of aid (including from foreign countries) have been (or are in the process of being) shut down by the forces mounted against them. Sporadic aid packages from sympathetic dock workers and other trade unions are now about the best that they and their families can now hope for.

Six months on strike has economically crippled them.

Charity. The last resource. The only resource. 

They are tired and hungry. They are poorly led (not that their leaders would agree with that opinion). They are fighting a fight they believe to be right. Fighting a fight, however, that their leaders had taken them into without (it would seem, but they would dispute) a strategy for victory.

Already (if truth be told) they are defeated by an opposition that was ready and waiting, willing and able.

It was bound to happen that way.

The boys in blue allegedly taunt the striking miners over the picket lines. Taunt them (by some accounts) about the strength of a copper’s overtime-fueled spending power by waving wads of money at the striking workers (in a manner that is later to be popularised by a Harry Enfield character “loadsamoney”). Make lewd suggestions (so it is said) as to what the striking miner’s wives might be up to whilst the men are on the picket lines.

It was a war.

A war in so much as the leaders on both sides would contemplate nothing other than victory by total defeat of the opposing side. 

It was, in effect, a civil war.

That sunny afternoon, I saw, in that convoy, a chilling illustration of the power and strength of the mechanism that the State mounted on the one side. A mechanism mounted against its own people.

It was a cold and unappetising sight.

It left me in no doubt. The outcome was decided. It was to be delivered by force in numbers.

At the end of the strike, which, to the surprise of many, dragged on another six months or so into the near spring of 1985, the coal mining industry in the UK (such as it was at the start of the strike) had been dealt a fatal, bloody blow.

More than that, the trades unions in general were all but defeated.  

It was a double victory. 

And to the double victor, the spoils.

Their adversaries in “progress” were cleared away from the path ahead. A path of privatisation and monetarist economics.

To the losers, there was nothing but humiliation and the rapid decline of their industry and communities. The defeated army of striking mine workers were utterly humiliated. A heads-bowed return to work was nothing but utter submission. Their communities were devastated. Unrecoverable. Set for further rapid and squalid decline.

Fucked, forever.

Decline set in at an alarming rate.

(despite a temporary recovery to pre-strike production rates, the UK coal mining industry declined further, rapidly, at an average rate of roughly 8% per year,to almost nothing compared to its past glories)

A year later than my drive south, a little after the end of the strike, in August 1985, I was in South Wales. Another heartland of the Strike.

I saw communities destroyed. I witnessed people cowed and humiliated. I observed an industry fatally wounded, never to recover. 

It was shocking, that we could do this to our own. It was a disgraceful sight to behold. It was Shameful.

It was, I understood, what total victory looks like.

But at what cost was this victory? 

Within just a handful of years, a nationalised industry that could have significantly helped secure UK energy requirements for many, many years to come, lay in ruin, never again to recover.

A national resource was abandoned, forever. It wasn’t just the pits that had gone, but a whole associated infrastructure.

Furthermore, a trades union movement that was there (in theory) to stand up for the common man against the power of “business” and “industry”, a movement portrayed as “The Enemy Within”, was cowed and (effectively) neutered.

(although many at the time feared the power of the unions, they were, arguably, never the ogre that they were sometimes portrayed as, and, in fact, spent much time quite rightfully fighting an “industry” that often disrespected the workforce and refused to invest in modernisation for the future. whilst there was, it is widely accepted, a lot wrong with labour relations by the end of the 70’s and the early 80’s, one has to question the methods that were used to deal with that “issue”, in particular in respect of what would then happen afterwards)

There was little doubt that the balance of power lay, after the strike, fairly and squarely with State and Business, both able to march on (side by side?) with little or no opposition from the workers and their unions.

It was just as much an unfair, unequal balance of power as it was claimed to be before, only this time, those in power held the upper hand and those who worked for them had little or no say.

From an energy point of view, we sold off the generation and supply of electricity to private industry.

Energy supply in the UK, a fundamental need that was (for 40 years or so) securely in control of the state, was now back at the mercy of private “profit making” industry and the “free market”. Those same sorts people from which it was nationalised in the first place.

In privatising the generating industry, we made sure that “coal” got the crappy end of the stick.

Over the next 10 years or so, the fuel balance for our energy supply was to be changed. We promoted the “dash for gas” through economic benefits to the generators. It was made attractive to use gas to make electricity.

We built pipelines to Russia to import more gas and we built or improved docks to import coal and oil from Russia, the USA, the Middle East and other places.

So, not only were we in hock to the generating industry, we were also reliant now on the goodwill of other countries in trade for the fuel supply.

We ended up closing most of the pits here and finally sold the rest off to private industry.

We abandoned further development of “clean coal” technologies. 

From once generating 80% of our energy using UK mined coal, we are now generating less than 10% of it using UK mined coal.

What was the Government’s energy strategy for the future back in 1984? How did they plan to secure supplies? They must have had a plan, of course, for to take on the coal mining industry at the time without one would surely be a risk?

Nuclear Power was certainly heavily supported. But it has always been hugely expensive and (as we have seen) risky, with large environmental issues.

North Sea oil and gas? Well, that also has a limited life span.

Surely we could not plan for the long term certainty simply on imports (for which we are at risk from the markets),  North Sea Oil & Gas and the building of the next generation of Nuclear Stations (which, even then, had only a limited life span)?

(we are, now, coming to the end of north sea oil/gas supply and also to the end of the working life of our nuclear stations, so are ever more reliant on imports).

Surely, in 1984, we must have somehow envisaged needing UK coal? At least for the foreseeable future? 

Obviously not, because we did not take that route.

(by the time that “New Labour” came to power in 1997, the UK Coal industry was producing less than 28% of the output in 1979, when the Conservative Government came to power)

(in the 16 years of Conservative rule, the number of deep mines fell from 219 to just 22)

So, where are we today?

North Sea oil and gas has almost run out and accounts for only a small percentage of out fossil fuel needs. 

Our nuclear stations are old, in need of replacement, and the private industry to whom we sold our energy generation tells us that it cannot afford to build us new ones (and neither can the Government). Our energy demands are far too high for renewables to ever take over the primary supply.

The majority of our fossil fuel (on which we still rely heavily) is imported, with all of the associated cost and security impacts of the “free market”.

So, I wonder, how long is is before the lights start to go out..?

And it’s not only the physical issues of energy supply, it’s the monetary aspects, too. 

The North Sea Oil and Gas revenue that, along with the proceeds of privatisation over the years, was used to fuel nearly 20 years of Conservative and New Labour policy and rule has eventually just about run out. There is little left to sell (apart from the almost untouchables, like Education and Health). 

Is it any coincidence that we are now in deep recession, running a sizeable deficit?

In our homes, too, we feel the financial impact. Our energy bills continue go up as the reliance on imports increases and we are hostages to the free market.

And still we do not seem to have a deliverable plan for energy.

Finally, let us not forget that the relationship between business and the workers who do its work was changed fundamentally by the events of ‘84 and ‘85.

As a consequence, the balance of power shifted firmly to business and now, it seems, not a week/month/year goes by without some workers rights being eroded, without some business wielding a big stick over its workers who have little to fight back with.

Who speaks for and supports the workers now?

Was the victory in ‘85 an example of long-term strategy sacrificed at the expense of “must win” short term objectives? 

I think so.

Oh, they certainly changed things. 

But did they do so for the better?

For the common good, I mean?

I think not. Certainly not in the longer term.

They call it progress. Don’t they?

1 note

Miss Mosh, San Pedro, 2009
From my first shoot with Miss Mosh. She’s wearing a figure-hugging latex corset and some impossibly high heels.
Not sure what I was trying to achieve (or expect to get) shooting with a 14mm lens other than stretchhhhhhh and distortion!!
And, well, oh my goodness, what can I say about my total lack of attention to detail leaving that nasty ol’ roll of toilet tissue hanging all raggedy like that..
But.. and I don’t know what you think.. Given a grainy black and white presentation I find something quite pleasing in this image..
Copyright © JuninhoPhoto 2009/2013. All Rights Reserved. Not to be used without permission.
http://www.flickr.com/photos/snapperjuninho/

Miss Mosh, San Pedro, 2009

From my first shoot with Miss Mosh. She’s wearing a figure-hugging latex corset and some impossibly high heels.

Not sure what I was trying to achieve (or expect to get) shooting with a 14mm lens other than stretchhhhhhh and distortion!!

And, well, oh my goodness, what can I say about my total lack of attention to detail leaving that nasty ol’ roll of toilet tissue hanging all raggedy like that..

But.. and I don’t know what you think.. Given a grainy black and white presentation I find something quite pleasing in this image..

Copyright © JuninhoPhoto 2009/2013. All Rights Reserved. Not to be used without permission.

http://www.flickr.com/photos/snapperjuninho/

2 notes

This one goes out to the one I love…

Whilst the title of this particular post may be 100% Michael Stipe, I was actually reminded, in the last post, of Ken Boothe singing “Everything I Own”…..

All together now……

You sheltered me from harm

Kept me warm, kept me warm

You gave my life to me

Set me free, set me free

The finest years I ever knew

Was all the years I had with you

And I would give anything I own

Give up my life, my heart, my home

And I would give anything I own

Just to have you back again

Is there someone you know

That won’t let you go

And taking it all for granted

You may lose them one day

Someone takes them away

And you don’t hear a word they say

And I would give anything I own

Give up my life, my heart, my home

And I would give anything I own

Just to have you back again

Just to talk to you, words again

If there’s someone you know

That won’t let you go

And taking it all for granted

You may lose them one day

Someone takes them away

And you don’t hear a word they say

And I would give anything I own

Give up my life, my heart, my home

I would give anything I own

Just to have you back again

Just to talk to you, words again

Just to hold you, once again

http://www.youtube.com/watch?v=z5nzZy2LFE0

The Love of my Life…

I met the love of my life in September 1981.

I can still picture the moment in my mind as clearly as if it were just this afternoon. The Common Room, 6th Form College. The sunlight in her hair. The Magazine she was reading (Kerrang!). The skip in my heartbeat. The catch in my breath.

I remember us kissing, a couple of years or so later, on top of the Ferris Wheel at the annual fair/show in the nearby market town of Stokesley. That would have been a September too, and I cannot recall a single moment in my whole life when I was any happier than at that exact precise moment. 

I last saw her in person sometime in late 1988, last spoke with her (I would guess) sometime in the late 90’s.

The paths of our lives, paths that had wound around each other and crossed so many times over those years, then diverged.

It turns out, sometimes, that you’re not meant to be together with the one you love.

There’s hardly a day gone by in those near 32 years that I have not thought of her fondly. There’s also hardly a day gone by when I wouldn’t have given everything/anything just to be able to sit next to her again and talk with her again. Not a day when I didn’t hope that our paths might one day meet again.

I hope she’s happy. 

I hope she’s well. 

I hope she’s loved and cared for by people for whom she loves and cares.

She still visits me sometimes in my dreams, and every night I fall asleep hoping for one of those dreams.

I don’t know why, but, today, I just had to say that.

1 note

Rich v Poor…

I heard an interview with Oliver Stone yesterday..

I was in the car, and so I didn’t quite catch this properly, but he (or the guy he was being interviewed with) quoted a statistic something along the lines of.. “the richest 300 people in the world have more money, combined, than the poorest 3 billion people combined”..

As I say, I didn’t quite catch it, so I am not saying that was the exact quote, but it was something like that..

Can anybody shed any light on this..? Is it true..?

If so, that’s a staggering statistic to mull over…….

A photographer whom I have been following for a few years now is Shannon Brooke… These pictures of hers struck me today.. Nice.. Cinematic.. Check out her Tumblr… and leave her some love.. :)

Juninho

(sorry for the lack of updates recently)

shannonbrookeimagery:

Jenn Batz for DEADBEAT mag Issue 24!
Photography by Shannon Brooke

72 notes

keys88photo:

Please Reblog
I sent the above e-mail to Tumblr (support@tumblr.com) this evening.  I just received the following response:
Hi Stephen,
I can’t tell you how much we value your support and feedback. We really appreciate you taking the time to let us know about this, and we’ll share your request with the rest of our team.
Please let me know if there’s anything else I can help you with.
Thanks,
Doug
DougTumblr.com / Photoset.com Support.
I would urge all of you artists, models, photographers and other contributors/posters of original content to send similar messages, as this is an issue which affects all of us and which should be remedied.
There is no reason why anyone should be able to reblog the work which we worked so hard to create and then either remove credits or pass the work off as their own.
Of course, people will always be able to steal our work but I think the modification that I have requested would certainly reduce the number of reblogs that delete our credits.
Please reblog this post AND, if you’re inclined, send an e-mail to Tumblr support to join in my request for this modification.
-Steve
www.keys88photo.tumblr.com
www.markmanphoto.com



I hope I reblogged this in its entirety… I shall be sending my note today… 

keys88photo:

Please Reblog


I sent the above e-mail to Tumblr (support@tumblr.com) this evening.  I just received the following response:

Hi Stephen,

I can’t tell you how much we value your support and feedback. We really appreciate you taking the time to let us know about this, and we’ll share your request with the rest of our team.

Please let me know if there’s anything else I can help you with.

Thanks,

Doug

Doug
Tumblr.com / Photoset.com Support.

I would urge all of you artists, models, photographers and other contributors/posters of original content to send similar messages, as this is an issue which affects all of us and which should be remedied.

There is no reason why anyone should be able to reblog the work which we worked so hard to create and then either remove credits or pass the work off as their own.

Of course, people will always be able to steal our work but I think the modification that I have requested would certainly reduce the number of reblogs that delete our credits.

Please reblog this post AND, if you’re inclined, send an e-mail to Tumblr support to join in my request for this modification.

-Steve

www.keys88photo.tumblr.com

www.markmanphoto.com

I hope I reblogged this in its entirety… I shall be sending my note today… 

499 notes

This one was taken way back in 2004.
I’d contacted Divinora through the Retrokitten web site and we shot first in a Motel in Ventura.. I think I was thinking of trying to capture her retro beauty in some gritty noir type scenarios and quite a few of the shots from this session have made in into my ‘folio from time to time.. 
Anyway.. I don’t generally travel with studio lights etc and so many of the shots were captured in the darkened room using either only the available light (as in the example above) or by using some cheap low wattage spot lights that I purchased that afternoon from a Lowes home centre to give some direction to the light… (if I remember correctly, I think Divinora then used the light stand in her apartment for some time after). 
Of course, such low light levels meant that there were a fair few burred “duffs” in the take.. even shooting on a tripod with a cable release.. But the ones that came out were quite atmospheric.. (the white balance was all over the shop, mind..)..
Anyway, I never delete anything, I always back up the whole take and you never quite know what might transpire… and this shot illustrates why..
Although it is blurred, I hadn’t really spotted the potential in this shot until just today, nearly 9 years after the shoot…. 
In this particular shot, there seems to be an almost shocked look on Divinora’s face, and some urgency in her motion.. Like she has been surprised…
I was watching the film L.A.Confidential recently and the blurred action in this shot seems to allude to the type of moments that are depicted in the film where the cops burst into the motel rooms to get Sid Hutchens his scandal rag set up sleaze… (for those who don’t know the film or book, Sid runs a scandal rag called Hush Hush, and, amongst other things, sets up starlets etc to be compromised in motel rooms to get copy for his magazine.. The first one in the film is scandalised as the “Movie Premiere Pot Bust…”..).. 
You can imagine a press photographer stage right.. Bursting in through the smashed down door of the room.. Just behind the cops.. and popping one of this big flash pops to capture the scene…. 
Just remember folks, you read it here first, on the Q.T., and very, HUSH HUSH….
Divinora, 2004, Ventura.
Copyright © JuninhoPhoto 2004/2013. All Rights Reserved. Not to be used without permission.

This one was taken way back in 2004.

I’d contacted Divinora through the Retrokitten web site and we shot first in a Motel in Ventura.. I think I was thinking of trying to capture her retro beauty in some gritty noir type scenarios and quite a few of the shots from this session have made in into my ‘folio from time to time.. 

Anyway.. I don’t generally travel with studio lights etc and so many of the shots were captured in the darkened room using either only the available light (as in the example above) or by using some cheap low wattage spot lights that I purchased that afternoon from a Lowes home centre to give some direction to the light… (if I remember correctly, I think Divinora then used the light stand in her apartment for some time after). 

Of course, such low light levels meant that there were a fair few burred “duffs” in the take.. even shooting on a tripod with a cable release.. But the ones that came out were quite atmospheric.. (the white balance was all over the shop, mind..)..

Anyway, I never delete anything, I always back up the whole take and you never quite know what might transpire… and this shot illustrates why..

Although it is blurred, I hadn’t really spotted the potential in this shot until just today, nearly 9 years after the shoot…. 

In this particular shot, there seems to be an almost shocked look on Divinora’s face, and some urgency in her motion.. Like she has been surprised…

I was watching the film L.A.Confidential recently and the blurred action in this shot seems to allude to the type of moments that are depicted in the film where the cops burst into the motel rooms to get Sid Hutchens his scandal rag set up sleaze… (for those who don’t know the film or book, Sid runs a scandal rag called Hush Hush, and, amongst other things, sets up starlets etc to be compromised in motel rooms to get copy for his magazine.. The first one in the film is scandalised as the “Movie Premiere Pot Bust…”..).. 

You can imagine a press photographer stage right.. Bursting in through the smashed down door of the room.. Just behind the cops.. and popping one of this big flash pops to capture the scene…. 

Just remember folks, you read it here first, on the Q.T., and very, HUSH HUSH….

Divinora, 2004, Ventura.

Copyright © JuninhoPhoto 2004/2013. All Rights Reserved. Not to be used without permission.

0120 on Flickr.
What could be better than shooting with great people, in great locations, in great light.. 
Back in 2008 I found myself being shown some fantastic locations in Southern California by Jody Kovac.. Wait for sunset.. Add a pink latex Marylyn dress by Honour…
…and bingo..
Jody Kovac, Southern California, 2008.
Copyright © JuninhoPhoto 2008/2013. All Rights Reserved. Not to be used without permission.

0120 on Flickr.

What could be better than shooting with great people, in great locations, in great light..

Back in 2008 I found myself being shown some fantastic locations in Southern California by Jody Kovac.. Wait for sunset.. Add a pink latex Marylyn dress by Honour…

…and bingo..

Jody Kovac, Southern California, 2008.

Copyright © JuninhoPhoto 2008/2013. All Rights Reserved. Not to be used without permission.

0112 on Flickr.
Model Dominique Sorribes outside Pann’s Diner back in 2007…  I can’t say that I was overly happy at the time with this particular bit of my afternoon and evening’s shooting with Dominique.. mainly because I felt that I didn’t execute what was in my head all that well.. but also because, when we got there, the “p” of Pann’s, in the sign, was bust… So we shot in front of “ann’s”. Dominique was fantastic to work with.. a real pro.. she certainly handled the attention of shooting next to a busy intersection with some aplomb.. and looking back now, the shots outside Pann’s have a certain charm about them and I am happy to show one or two of them off here… For those architecture geeks amongst us (and I count myself as one), Pann’s is a surviving example of the once popular “Googie” style….. and well suited to a noir feel of an earlier time in L.A….. Pann’s is located at 6710 LaTijera Blvd. Los Angeles, CA 90045www.panns.com/index.htmen.wikipedia.org/wiki/Pann’s Copyright © JuninhoPhoto 2007/2013. All Rights Reserved. Not to be used without permission.

0112 on Flickr.

Model Dominique Sorribes outside Pann’s Diner back in 2007…

I can’t say that I was overly happy at the time with this particular bit of my afternoon and evening’s shooting with Dominique.. mainly because I felt that I didn’t execute what was in my head all that well.. but also because, when we got there, the “p” of Pann’s, in the sign, was bust… So we shot in front of “ann’s”.

Dominique was fantastic to work with.. a real pro.. she certainly handled the attention of shooting next to a busy intersection with some aplomb.. and looking back now, the shots outside Pann’s have a certain charm about them and I am happy to show one or two of them off here…

For those architecture geeks amongst us (and I count myself as one), Pann’s is a surviving example of the once popular “Googie” style….. and well suited to a noir feel of an earlier time in L.A…..

Pann’s is located at 6710 LaTijera Blvd. Los Angeles, CA 90045

www.panns.com/index.htm
en.wikipedia.org/wiki/Pann’s

Copyright © JuninhoPhoto 2007/2013. All Rights Reserved. Not to be used without permission.

1 note

Ride On A White Horse
A modern day Lady Godiva… 
Ride a White Horse - Goldfrapp - 2006
Now take me dancing, at the disco
Where you buy your winniebago
I wanna ride on a white horse
I want to ride on a white horse
When the light turns into darkness
Will he turn up to explain us
I wanna ride on a white horse
I want to ride on a white horse
Lend me a whole new world
All night, feel life, oh, oh
When is there ever sense
To love, this world, oh, oh
In the whirlpool, we’ll go deeper
In this world that’s getting cheaper
I wanna ride on a white horse
I want to ride on a white horse
I like dancing, at the disco
I want blisters, you’re my leader
I wanna ride on a white horse
I want to ride on a white horse
Lend me a whole new world
All night, feel life, oh, oh
When is there ever sense
To love, this world, oh, oh
Lend me a whole new world
All night, feel life, oh, oh
When is there ever sense
To love, this world, oh, oh
Oh I love this feeling
Feels like forever
Oh I love this feeling 
Feels like real leather
…
Picture © JuninhoPhoto 2012. All Right Reserved. Not to be used without permission.
Model - v e l o c i t y
Studio - Pillar Box Studio, Los Angeles

Ride On A White Horse

A modern day Lady Godiva… 

Ride a White Horse - Goldfrapp - 2006

Now take me dancing, at the disco

Where you buy your winniebago

I wanna ride on a white horse

I want to ride on a white horse

When the light turns into darkness

Will he turn up to explain us

I wanna ride on a white horse

I want to ride on a white horse

Lend me a whole new world

All night, feel life, oh, oh

When is there ever sense

To love, this world, oh, oh

In the whirlpool, we’ll go deeper

In this world that’s getting cheaper

I wanna ride on a white horse

I want to ride on a white horse

I like dancing, at the disco

I want blisters, you’re my leader

I wanna ride on a white horse

I want to ride on a white horse

Lend me a whole new world

All night, feel life, oh, oh

When is there ever sense

To love, this world, oh, oh

Lend me a whole new world

All night, feel life, oh, oh

When is there ever sense

To love, this world, oh, oh

Oh I love this feeling

Feels like forever

Oh I love this feeling 

Feels like real leather

Picture © JuninhoPhoto 2012. All Right Reserved. Not to be used without permission.

Model - v e l o c i t y

Studio - Pillar Box Studio, Los Angeles

2 notes

Ali Kitten
This picture of Ali was taken during the same shoot as the picture attached to the last post, back in 2006.
Ali was keen to explore some fetish themes in her ‘folio and had already some good shots done with another photographer in the North of England.
She seemed, to me, to always bring something of herself into her pictures and I like that in a model, it makes the picture more “real”, somehow, and it suits fetish photography very well, in my opinion.
I know that some like their fetish pictures to be somewhat bombastic (like some like their fetishes, I guess). To have some form of a shock value, even, perhaps. Obvious and brutal. Anonymous and objectifying.
Me, I like my fetish pictures to be more subtle and so we ended up with this, as well as the one attached to the previous post.
I might post the colour version of this picture sometime. The babydoll is a really vibrant tweety-pie yellow and looks lovely…
Picture and text © JuninhoPhoto 2006, 2011 and 2012. All Right Reserved. Not to be used without permission.

Ali Kitten

This picture of Ali was taken during the same shoot as the picture attached to the last post, back in 2006.

Ali was keen to explore some fetish themes in her ‘folio and had already some good shots done with another photographer in the North of England.

She seemed, to me, to always bring something of herself into her pictures and I like that in a model, it makes the picture more “real”, somehow, and it suits fetish photography very well, in my opinion.

I know that some like their fetish pictures to be somewhat bombastic (like some like their fetishes, I guess). To have some form of a shock value, even, perhaps. Obvious and brutal. Anonymous and objectifying.

Me, I like my fetish pictures to be more subtle and so we ended up with this, as well as the one attached to the previous post.

I might post the colour version of this picture sometime. The babydoll is a really vibrant tweety-pie yellow and looks lovely…

Picture and text © JuninhoPhoto 2006, 2011 and 2012. All Right Reserved. Not to be used without permission.

Ten Albums…
In the unlikely event that I’d end up with just 20 minutes to get out of town, perhaps if I were a character in a James Ellroy novel, then these are 10 of my albums that I would want to wrap up and run away with.. Hopefully, there’d be a record player at the other end… and hopefully my new neighbours and friends would be at least be tolerant of my choices.. :)
In date order…
Crosby, Stills and Nash - Crosby, Stills and Nash - 1969
1969.. Los Angeles, California.. The Counterculture.. The Sunset Strip.. Laurel Canyon.. 
A young musician from the NW of England (Graham Nash) visits California and has his eyes opened to new vistas.. He subsequently leaves his successful group (The Hollies) and everything else behind for a new life on the West Coast.. 
Hooking up with David Crosby (at a loose end since the Byrds) and Stephen Stills (similarly at a loose end after the Buffalo Springfield) at a party (it’s always said that Crosby had the best parties), Nash provides the 3rd Harmony to some parts Crosby and Stills have been playing with…. and, in so doing, creates a magical sound… 
The penny drops…
David Geffin and a few others clear the murky contractual waters…
Atlantic, the iconic record label… 
Henry Diltz shoots the cover…
An album of personal songs of loves won and lost, of regret, of hope, of belonging… Personal.. earnest.. soul baring…
“Helplessly hoping her harlequin hovers nearby, awaiting a word. Gasping at glimpses of gentle true spirit, he runs, wishing he could fly. Only to trip at the sound of good-bye”
Neil Young and Crazy Horse - Everybody Thinks This Is Nowhere - 1969
Another product of 1969 L.A….
His second LP, the first recorded with long time jamming companions “Crazy Horse”… Less warmly received at the time than it is regarded now.. Young, to this day, uses many of the songs as standards..
“I think I’d like to go back home and take it easy. There’s a woman that I’d like to get to know. Living there.”
The Who - Who’s Next - 1971
After “Tommy”, Pete Townsend got mired in the deep and complicated “Lifehouse” project (which only in recent times has more fully seen the light of day).
The album “Who’s Next” was a wonderful by-product of that project, cherry picking songs and ideas and forming a compact but powerful statement.
It’s always wonderful, to me, to think how much progression and change The Who managed between albums. This, almost clipped, precise collection slotting (without blush or worry) between the expansive “Rock Operas” of Tommy and Quadrophenia.
The opening bars of “Baba O’Reily” are as instantly recognisable as the closing strains of “Won’t Get Fooled Again”
“Meet the new boss.. Same as the old boss…”…
Indeed…. Words as true today as they ever were…
Led Zeppelin - The Song Remains the Same - 1976
Truth be told, I could have picked out more than one Zeppelin album.. In fact, I could have picked out 10..
But seeing as this live album (recorded during the heady heights of their fame, in ‘73) neatly covers a fairly broad selection of songs from the earlier albums, I’d be happy to only ever have this one to listen to…
To be honest, the choice was a bit touch and go with “How The West Was Won” (the more recently released recordings from ‘72), but seeing as the version of “No Quarter” that is presented on the original vinyl version of TSRTS is a song that I could listen to forever.. and probably will.. I thought I ought to take this album!!
“They’re wearing steel that’s bright and true.. they carry news that must get through… They chose the path where no-one goes…”
Black Sabbath - Heaven and Hell - 1980
Blizzard of Ozz - Blizzard of Ozz - 1980
In some ways, these are two sides of the same coin, being the two “first albums” into the brave new world of Black Sabbath without Ozzy, and Ozzy without Black Sabbath..
Both parties looked to help from the Americas in their moving on.
Sabbath, teaming with the legendary singer Ronnie James Dio. Ozzy, taking on the hugely talented Randy Rhoads as his guitar player (for those who saw him during his brief career, Rhoads’ work is stuff of legends).
Both albums were fresh as newly sprouted daisies, and both were springboards to periods of great success.  Neon Knights, Suicide Solution, Children of the Sea, Crazy Train, Heaven and Hell, Mr Crowley, Die Young… all part of the lexicon of Classic Rock…
“The world is full of kings and queens, who blind your eyes and steal your dreams, it’s heaven and hell…”..
“Wine is fine, but whisky’s quicker. Suicide is slow with liquor”
Van Halen - Fair Warning - 1981
Edward Van Halen is a guitar player who’s influence was so great that he changed the way other guitar players played. Not just a few players, a few aficionado’s, but a whole generation of players. As influential to the generations that followed him as Eric Clapton was to him..
These sort of folks don’t come along all that often and, for fans of guitar-based music, their albums have a magical quality.. They are gifted..
A few years ago, i somehow (a story for another day) got to hold the very guitar upon which Edward Van Halen recorded some of these songs.
I was totally gob-smaked and had a broad, silly grin plastered on my face. Totally awe struck. A total fanboy… 
Fair Warning is, perhaps, less well regarded amongst the VH catalogue than some (maybe because some thought it darker than the preceding three), but the songs have proven the test of time, many still being played today. It also demonstrated a greater depth than many might have thought them capable of.
“Now who’s that babe with the fabulous shadow? So obscene, but to me it don’t matter. Her movies get down like you won’t find in my hometown. They won’t believe it when they see what they’re seein’ ”
Def Leppard - Pyromania - 1983
I was temped to chose Leppard’s preceding Album, “High and Dry”, but this one was (quite deservedly) the big breakthrough for Def Leppard.. and as much as I like some of the songs on H&D, it’s this album that is, I think, the more resolved of the two….
It was the one that allowed Leppard to complete the jump from the N.W.O.B.H.M. into the big leagues and stadiums of the world (and North America in particular).
Packed full of catchy rock songs. These lads from Sheffield and London paraded the Union Jack around the world, literally (I remember buying a copy of Cream Magazine in about ‘83 in Atlanta, and it was choc-a-block with Def Leppard Union Jack images..)….
Joe Elliot’s Union Jack shorts being, err, pretty short.. !!! I think he was smuggling budgies in there..!!!
Personally, I felt that what came after was too slick.. too much.. But, thankfully, we have this album, still, as a reminder of the grand transition…
“Hold on, hold on, hold tight, we’re gonna rock tonight ”
The Smiths - The Queen is Dead - 1986
A magical blend of maudlin, sorrowful lyrics and beautiful, often upbeat, melodies and music..
Morrissey and Marr…
Typified..
I knew I had to have one album by The Smiths in my ten, but, thinking now, whilst writing, I can’t say why I picked this one over some of the others.
Perhaps it’s that, to me, this is their most resolved album, as a collection. Perhaps it’s just I like some of these songs better than others.
“I say Charles don’t you ever crave, to appear on the front of the Daily Mail, dressed in your Mother’s bridal veil?”
The Cribs - Ignore the Ignorant - 2009
Johnny Marr, just about 23 years after the last album, still helping to make significant and meaningful music… 
If I could, I would paste guitar lines here, not lyrics… 
(hum your favourite tune here)
The picture?
That’s Ali Kitten.
Taken in 2006 in Leeds, England. 
I was starting to explore some submissive themes in my pictures. 
Picture and text © JuninhoPhoto 2006, 2011 and 2012. All Rights Reserved. Not to be used without permission.

Ten Albums…

In the unlikely event that I’d end up with just 20 minutes to get out of town, perhaps if I were a character in a James Ellroy novel, then these are 10 of my albums that I would want to wrap up and run away with.. Hopefully, there’d be a record player at the other end… and hopefully my new neighbours and friends would be at least be tolerant of my choices.. :)

In date order…

Crosby, Stills and Nash - Crosby, Stills and Nash - 1969

1969.. Los Angeles, California.. The Counterculture.. The Sunset Strip.. Laurel Canyon.. 

A young musician from the NW of England (Graham Nash) visits California and has his eyes opened to new vistas.. He subsequently leaves his successful group (The Hollies) and everything else behind for a new life on the West Coast.. 

Hooking up with David Crosby (at a loose end since the Byrds) and Stephen Stills (similarly at a loose end after the Buffalo Springfield) at a party (it’s always said that Crosby had the best parties), Nash provides the 3rd Harmony to some parts Crosby and Stills have been playing with…. and, in so doing, creates a magical sound… 

The penny drops…

David Geffin and a few others clear the murky contractual waters…

Atlantic, the iconic record label… 

Henry Diltz shoots the cover…

An album of personal songs of loves won and lost, of regret, of hope, of belonging… Personal.. earnest.. soul baring…

Helplessly hoping her harlequin hovers nearby, awaiting a word. Gasping at glimpses of gentle true spirit, he runs, wishing he could fly. Only to trip at the sound of good-bye”

Neil Young and Crazy Horse - Everybody Thinks This Is Nowhere - 1969

Another product of 1969 L.A….

His second LP, the first recorded with long time jamming companions “Crazy Horse”… Less warmly received at the time than it is regarded now.. Young, to this day, uses many of the songs as standards..

“I think I’d like to go back home and take it easy. There’s a woman that I’d like to get to know. Living there.”

The Who - Who’s Next - 1971

After “Tommy”, Pete Townsend got mired in the deep and complicated “Lifehouse” project (which only in recent times has more fully seen the light of day).

The album “Who’s Next” was a wonderful by-product of that project, cherry picking songs and ideas and forming a compact but powerful statement.

It’s always wonderful, to me, to think how much progression and change The Who managed between albums. This, almost clipped, precise collection slotting (without blush or worry) between the expansive “Rock Operas” of Tommy and Quadrophenia.

The opening bars of “Baba O’Reily” are as instantly recognisable as the closing strains of “Won’t Get Fooled Again”

“Meet the new boss.. Same as the old boss…”…

Indeed…. Words as true today as they ever were…

Led Zeppelin - The Song Remains the Same - 1976

Truth be told, I could have picked out more than one Zeppelin album.. In fact, I could have picked out 10..

But seeing as this live album (recorded during the heady heights of their fame, in ‘73) neatly covers a fairly broad selection of songs from the earlier albums, I’d be happy to only ever have this one to listen to…

To be honest, the choice was a bit touch and go with “How The West Was Won” (the more recently released recordings from ‘72), but seeing as the version of “No Quarter” that is presented on the original vinyl version of TSRTS is a song that I could listen to forever.. and probably will.. I thought I ought to take this album!!

“They’re wearing steel that’s bright and true.. they carry news that must get through… They chose the path where no-one goes…”

Black Sabbath - Heaven and Hell - 1980

Blizzard of Ozz - Blizzard of Ozz - 1980

In some ways, these are two sides of the same coin, being the two “first albums” into the brave new world of Black Sabbath without Ozzy, and Ozzy without Black Sabbath..

Both parties looked to help from the Americas in their moving on.

Sabbath, teaming with the legendary singer Ronnie James Dio. Ozzy, taking on the hugely talented Randy Rhoads as his guitar player (for those who saw him during his brief career, Rhoads’ work is stuff of legends).

Both albums were fresh as newly sprouted daisies, and both were springboards to periods of great success.  Neon Knights, Suicide Solution, Children of the Sea, Crazy Train, Heaven and Hell, Mr Crowley, Die Young… all part of the lexicon of Classic Rock…

“The world is full of kings and queens, who blind your eyes and steal your dreams, it’s heaven and hell…”..

“Wine is fine, but whisky’s quicker. Suicide is slow with liquor”

Van Halen - Fair Warning - 1981

Edward Van Halen is a guitar player who’s influence was so great that he changed the way other guitar players played. Not just a few players, a few aficionado’s, but a whole generation of players. As influential to the generations that followed him as Eric Clapton was to him..

These sort of folks don’t come along all that often and, for fans of guitar-based music, their albums have a magical quality.. They are gifted..

A few years ago, i somehow (a story for another day) got to hold the very guitar upon which Edward Van Halen recorded some of these songs.

I was totally gob-smaked and had a broad, silly grin plastered on my face. Totally awe struck. A total fanboy… 

Fair Warning is, perhaps, less well regarded amongst the VH catalogue than some (maybe because some thought it darker than the preceding three), but the songs have proven the test of time, many still being played today. It also demonstrated a greater depth than many might have thought them capable of.

“Now who’s that babe with the fabulous shadow? So obscene, but to me it don’t matter. Her movies get down like you won’t find in my hometown. They won’t believe it when they see what they’re seein’ ”

Def Leppard - Pyromania - 1983

I was temped to chose Leppard’s preceding Album, “High and Dry”, but this one was (quite deservedly) the big breakthrough for Def Leppard.. and as much as I like some of the songs on H&D, it’s this album that is, I think, the more resolved of the two….

It was the one that allowed Leppard to complete the jump from the N.W.O.B.H.M. into the big leagues and stadiums of the world (and North America in particular).

Packed full of catchy rock songs. These lads from Sheffield and London paraded the Union Jack around the world, literally (I remember buying a copy of Cream Magazine in about ‘83 in Atlanta, and it was choc-a-block with Def Leppard Union Jack images..)….

Joe Elliot’s Union Jack shorts being, err, pretty short.. !!! I think he was smuggling budgies in there..!!!

Personally, I felt that what came after was too slick.. too much.. But, thankfully, we have this album, still, as a reminder of the grand transition…

Hold on, hold on, hold tight, we’re gonna rock tonight ”

The Smiths - The Queen is Dead - 1986

A magical blend of maudlin, sorrowful lyrics and beautiful, often upbeat, melodies and music..

Morrissey and Marr…

Typified..

I knew I had to have one album by The Smiths in my ten, but, thinking now, whilst writing, I can’t say why I picked this one over some of the others.

Perhaps it’s that, to me, this is their most resolved album, as a collection. Perhaps it’s just I like some of these songs better than others.

“I say Charles don’t you ever crave, to appear on the front of the Daily Mail, dressed in your Mother’s bridal veil?”

The Cribs - Ignore the Ignorant - 2009

Johnny Marr, just about 23 years after the last album, still helping to make significant and meaningful music… 

If I could, I would paste guitar lines here, not lyrics… 

(hum your favourite tune here)

The picture?

That’s Ali Kitten.

Taken in 2006 in Leeds, England. 

I was starting to explore some submissive themes in my pictures. 

Picture and text © JuninhoPhoto 2006, 2011 and 2012. All Rights Reserved. Not to be used without permission.

The life and times of the humble hotel room chair…
There seems to be a growing theme in this blog.. One of the sights seen by the humble hotel room chair..
Yes, the sometimes maligned, oft abused, occasionally actually functional, hotel room chair..
More often than not they are seen as unassuming decorative elements. I used to think of them simply in terms of them being handy props in my “hotel room turned ready-dressed sets” shoots..
But then I got to thinking about them some more..
Of the tales that they could tell..
But don’t..  shhhhh…
I mean, c’mon, just think of the sights that they see whilst quietly sat there, in the corner of the room, under the stand lamp..
The assignations observed..  And the actions that they endure in the line of duty.. 
Does anybody but this chair, for instance, know of the malarky that Mosh got up to on it a few years ago..? 
Who next sat in that chair..? Did they, perhaps, see the dimples left by the stiletto heels..?
.. and did they wonder..?
The chair, however, remained a silent witness.. a loyal conspirator in a secret treaty..
I salute you, humble hotel room chair…
To be continued…
Picture and text © JuninhoPhoto 2012. All Rights Reserved. Not to be used without permission.

The life and times of the humble hotel room chair…

There seems to be a growing theme in this blog.. One of the sights seen by the humble hotel room chair..

Yes, the sometimes maligned, oft abused, occasionally actually functional, hotel room chair..

More often than not they are seen as unassuming decorative elements. I used to think of them simply in terms of them being handy props in my “hotel room turned ready-dressed sets” shoots..

But then I got to thinking about them some more..

Of the tales that they could tell..

But don’t..  shhhhh…

I mean, c’mon, just think of the sights that they see whilst quietly sat there, in the corner of the room, under the stand lamp..

The assignations observed..  And the actions that they endure in the line of duty.. 

Does anybody but this chair, for instance, know of the malarky that Mosh got up to on it a few years ago..? 

Who next sat in that chair..? Did they, perhaps, see the dimples left by the stiletto heels..?

.. and did they wonder..?

The chair, however, remained a silent witness.. a loyal conspirator in a secret treaty..

I salute you, humble hotel room chair…

To be continued…

Picture and text © JuninhoPhoto 2012. All Rights Reserved. Not to be used without permission.

6 notes